fourth floor feminism | sociable speculation

Last Thursday I was making my leisurely way down Regent Street to the National Portrait Gallery and I walked past the new Apple shop , unwrapped from its scaffolding and hoardings only that week. Despite the fantastically bright red and blue Christmas lights spanning Regent Street, it was the light (the light …), the clean, white light that attracted me. As I flattened my body against the window in curiosity, I had to admit that Apple had spent their money well. Calculating the price the company paid for a two storey shop front, three times the width of most of the other shops makes my head hurt. But it is what they have done with that decadent amount of space that really makes the shop extraordinary. There are a few vast, clean blonde wood tables nearly lost in the gleaming whiteness and the sexy machines sit in splendid isolation so you can caress them and still have more than enough room to bring your other hand up to wipe the drool away in comfort and without disturbing your neig

The cattle-class conditions of rush hour on the tube are an amazing way to learn to ignore people. With my head tucked into my neighbour's armpit, the wookie attempting to suffocate a seated bystander and some diminutive child eyeing the pink plastic handle of my umbrella as if it was a candy-cane, I travelled in one forgetable morning on a train that was packed to dangerous and unsociable standards. When in such circumstances the urge to withdraw from the outposts of your body is overwhelming and I cease my habitual, ceaseless and obvious observation of the people in the carriage, pull all my nerve endings in closer to my spine and attempt to ignore any touch registering with my brain. I blur the edges of my peripheral vision so I can be alone and discreet in the swaying mass of steaming, exhaling, sweating bodies. Today I was particularly loath to be in such close quarters with anyone as I was reading Perfume by Patrick Suskind and the rich descriptions of Grenouille's o