When I was seventeen I saw Les Miserables and was introduced to one of my favourite theories on life – the concept that there are only a limited number of narratives in life, and everyone in the past, present and future can only live by one of these finite number of arcs. A little time ago I was so appalled with a book I had been reading that as a calming exercise I mapped out the frustratingly small selection of romantic arcs literature allows female protagonists to follow and tried to create a believable subversion of each. Now I find myself writing about my daily life along a similarly limited and well-known track. As a returning traveller writing about the familiar as the unfamiliar, I am beginning to realise I need to subvert this well worn path just to remain interested in writing anything at all. At the moment the restraints on my writing are rigid and profoundly limiting. All my descriptve devices and observational habits were formed when I was in a completely different cou...